Daughter of Henrik Gustaf Söderbaum, head of the Nobel Prize Comitee. Reichswasserleiche Reichswasserleiche During WWII she played the main parts in several propaganda movies for the Nazis with her husband Veit Harlan as director. The worst of them was Jud Süss, a strong anti-semitistic movie from 1940. Kristina Söderbaum said after the war that she regretted the films, but she was n ... show all
Daughter of Henrik Gustaf Söderbaum, head of the Nobel Prize Comitee. Reichswasserleiche Reichswasserleiche During WWII she played the main parts in several propaganda movies for the Nazis with her husband Veit Harlan as director. The worst of them was Jud Süss, a strong anti-semitistic movie from 1940. Kristina Söderbaum said after the war that she regretted the films, but she was never to come back to any great movies with the leading parts. She was a professor's daughter from Djursholm, Stockholm, Sweden. Three years after Jud Süss she became an honoury student at Uppsala University, Sweden. After Harlan's death in the 1960s, she established as a fashion photographer in München, Germany (Munich) and wrote her memoars, "Nicht bleibt immer so", in 1983. hide
Genres:Biography | Drama | History | War Countries:West Germany Directors:Hans-Jürgen Syberberg Actors:Helmut Käutner | Kristina Söderbaum | Käthe Gold | Attila Hörbiger | William Trenk | Mady Rahl | Lil Dagover | Rudolf Prack | Rainer von Artenfels | Leon Askin | Marquard Bohm | Wolfgang Büttner | Peter Chatel | Erwin Faber | Rudolf Fernau
This is a biographical movie about famous best selling German writer, noted mainly for books set in the American Old West, (best known for the characters of Winnetou and Old Shatterhand) and similar books set in the Orient and Middle East.
The film is structured as a kind of biography, and the long central scene of a courtroom battle marks the collapse of May's dreams as he gets more and more deeply embroiled in the realities of Prussian jurisprudence. The matter-of-fact historical framework acquires an added resonance from the fact that all the main parts are played by prominent figures from the Nazi cinema of the '30s. The mesh of fact, fiction, realism and expressionism is complex and fascinating.